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From Library Journal This well-written, selectively episodic examination of the experiences of notable outsiders visiting England and particularly London in the mid-19th century is often engaging but lacks a clear unifying thesis.
#Wagner composer code
His surname was the initial code of `Secrets Office, United States of America'.
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61) : " It is often overlooked that, behind the bluff bandmaster image, Sousa was the ruthless founder of the forerunner of the C.I.A. No names nor marks, tears, creases nor folds. is of the letters - G-R-O-N-E-S being UNwrapped and set up upon a stage - see orchestra pit. Cond : White paper wrapper with DARK brown or black spine (and cover) lettering. Fitting !! Each composer gets one page of words followed by a one page drawing. whereas that of Claude Debussy is harsh, filled with contrast and mystery. 1906 dates -real ? or fictious ? The drawings for Grieg (though ALL drawings are b/w) are very soft, warm, pastel, etc. Some item headings include `A Czech List', `The Five' (5) or `Les Six' (6), `The Dame, The Knight & The Enigma' and `Anon' (whose dates are given as `Circa'. Both in a written and in a drawn fashion. In the end, Wagner's achievement was to have fashioned an oeuvre which explored his sexual yearnings as much as it conveyed-as never before-how music could act on erotic impulse.' xvi+266 pages. His affection for dominant females and surprising regard for homosexual love likewise enable some striking portraits in his operas. Wagner himself saw the cultivation of an erotic high style as central to his art, especially after devising an anti-philosophical response to Schopenhauer's "metaphysics of sexual love." A reluctant eroticist, Wagner masked his personal compulsion to cross-dress in pink satin and drench himself in rose perfumes while simultaneously incorporating his silk fetish and love of floral scents into his librettos. Daring to represent erotic stimulation, passionate ecstasy, and the torment of sexual desire, Wagner sparked intense reactions from figures like Baudelaire, Clara Schumann, Nietzsche, and Nordau, whose verbal tributes and censures disclose what was transmitted when music represented sex. In this illuminating study of the composer and his works, Laurence Dreyfus shows how Wagner's obsession with sexuality prefigured the composition of operas such as Tannhauser, Die Walkure, Tristan und Isolde, and Parsifal. 'Though his image is tarnished today by unrepentant anti-Semitism, Richard Wagner (1813-1883) was better known in the nineteenth century for his provocative musical eroticism.
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The book is in very good condition, little shelf rubbing apparent, text appears entirely clean and clear throughout. Her Dad-dy has gone a-way, and she has a new Dad-dy, called Ae-gis-thus. 113) (Elektra)(Paul Griffin) : " E-lek-tra lives in Greece. Binding fine, no names nor marks nor tears. Cover graphic is a colourful montage of clowns, knives, Vikings and devils. Cond : Paper wrapper is red w/ black lettering. Sent-up are: Charles Gounod's `Faust', Richard Wagner's `The Flying Dutchman', and Donizetti's `Anna Bolena' - among many others. Perhaps the easiest oto understand is the DIY Opera Kit (`Fish another pearl out of the deep. A collection of writers has satirized opera in a variety of ways. In 1895, his only opera, Der Herzbub, premiered in Vienna.Paper. Wagner is also known for the " Holzhackerbuam", also known as the "Jolly Lumberjack Polka". The first part of the march is used in the 1992 computer game Great Naval Battles: North Atlantic 1939-1943 when Germany is selected in the gameplay. The tune was parodied in the Benny Goodman recording "Benjie's Bubble", and was also used for the well-known Monty Python's Flying Circus animation segment "Conrad Poohs And His Dancing Teeth". The piece was the official regimental march of the Austrian Artillery Regiment Number 2 till its dissolution in 2007. The march became a favourite part of the repertoire of American composer and bandleader John Philip Sousa, whose band recorded it three times. He is best known for his 1893 march " Unter dem Doppeladler" or "Under the Double Eagle", referring to the double eagle in the coat of arms of Austria-Hungary. He is sometimes known by the sobriquet "The Austrian March King". Josef Franz Wagner (20 March 1856 – 5 June 1908) was an Austrian military bandmaster and composer. "Under the Double Eagle", played by the U.S.